"With its Irish moorings, The Keegan Theatre effectively delivers Martin McDonagh's dark, salty, Award-winning work. . . refined taste and skill of a seasoned company . . . frosty precision by Nanna Ingvarsson. . . [Scott Graham] opens the second act with a delightfully charming monologue that sets the tone . . . it is Linda High who runs this show with her stark portrayal of a rough old bird who barks out orders with a menacing frown. . . Mark A. Rhea directs with a heavy hand, leaving his fingerprints all over the production, from eternal glares before scene changes to quirky touches in staging. His interpretations are always literal, and the result is evident in the pregnant pauses and meticulous dialects that color his work. . . "

Full Metro Weekly Review Published on 06/30/2005

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