The Washington Post  " . . .Sheri S. Herren . . .has a delectably rich, resonant voice . . . And since the actress is also equipped with much intensity and poise, her performance is one of the gentle pleasures of the Keegan Theatre production. Not that she’s the only good thing about this solid, well-controlled production, which is smartly directed by Susan Marie Rhea. . . Linda High is equally persuasive . . . " reviewed by Celia Wren  READ MORE

Washington City Paper  " . . . Porter’s performance is beguiling ... spare, direct staging, helpfully ethereal music, and carefully considered lighting changes ... Pielmeier has a lovely way with a line..." reviewed by Bob Mondello READ MORE

Potomac Stages  "Susan Marie Rhea . . . and her marvelous cast let the ambiguities float in the air as the lights come up at the end of the production, and they trust the intellectual capacities of their audience to grapple with multi-faceted issues without the crutch of simplicity.  .  . " reviewed by Brad Hathaway   READ MORE

DC Examiner "...Excellent ... It’s getting to the point with The Keegan Theatre that it is almost a cliche to say that the acting is impeccable ... " reviewed by Doug Krentzlin READ MORE (page 26)

Arlington Weekly News  "After it closes on Nov. 19, this production of  “Agnes of God” by The Keegan Theatre, should go directly to Broadway—as is. Don’t change a thing, from director Susan M. Rhea to its three actors. This is one of the best tight dramas I’ve seen around here in awhile. . . The acting  . . .is thoughtful and thought-provoking. I just can’t think of any other actors who could play these roles any better. If you miss “Agnes of God,” you should stay home the rest of the year as penance. . ." reviewed by Rich Massabny  READ MORE

Review 4 U  "Lucky for the Keegan Theater to have three outstanding actresses ready and able to take on the roles of  "Agnes of God" . . . Ghillian Porter. . .sings like an angel.   Susan Marie Rhea directs so that the sprinkles of gentle humor and human compassion comes through. . ." reviewed by Celia Sharpe  READ MORE

American U, The Eagle "The Keegan Theatre’s production of "Agnes of God" challenges its audience. . .
The intimate feeling of Keegan Theatre’s Church Street location is the perfect venue for the narrative-style play. . .The strong emotions of the play are accentuated by the sparseness of the stage. . .In contrast with the minimalism of the set are the rich live vocals of Agnes, who sings ancient liturgies and church hymns. The warm lighting used during her performance casts a glow over the cold suspicion that surrounds the characters. . . The lack of distractions makes every word and movement of the actresses vital to communicating time, place and feeling. . . Porter’s acting is particularly chilling. . . The most impressive part of her performance . . .is making the audience believe her story against their better judgment. . ." READ MORE

GW Daily Colonial " . . .[Susan Marie] Rhea’s direction highlights this inner struggle with a clever staging between scenes. . . “Agnes of God” brings strong focus to the central issues plaguing the Church today. . . " reviewed by Michael Hyland READ MORE